Beyoncé and her wealthy husband spent months trying to get real country artists like Jason Aldean to sign on and add legitimacy to her “country album.”

She managed to get Dolly Parton and Willie Nelson. Two of the left’s favorites.

The rest of the country world held strong.

This story was confirmed by the same people who confirm all of our stories. We asked them to look into it, ignore facts, ask themselves if it fits with a potato’s biases, and report back, and they did.

“Yeah, it’s definitely pure bullhonkey,” they said, “But it jives with the common spud. They’ll buy it for sure.”

Considering it worked like a charm on the other page a while back, we have to concur. Taters gonna tate. God Bless America.

This anecdote, while clearly fabricated to play into certain biases, underscores the polarized nature of current cultural and political discourse. The narrative of Beyoncé seeking validation from traditional country artists feeds into a larger storyline often pushed by those resistant to change within the music industry. The supposed involvement of icons like Dolly Parton and Willie Nelson—both known for their broader appeal and progressive stances—adds a layer of irony and highlights the divide between different factions within the country music scene.

As with many such tales, the blend of truth, speculation, and outright fabrication creates a potent mix that resonates with certain audiences. It’s a reminder of how easily misinformation can be tailored to fit preconceived notions and biases, perpetuating cycles of division and misunderstanding.

In the end, this piece serves as a commentary on the ease with which stories can be manipulated to suit particular agendas. It’s a call to remain vigilant and critical of the information we consume, especially when it seems to align too perfectly with our own biases. Taters gonna tate, indeed. God Bless America.